The X-Pro 3 is the most âFujifilmâ in philosophy of any camera I have ever used, and it is a camera that makes you want to go out and shoot with it. Itâs not perfect, nor will it probably serve as anyoneâs only camera â but it is a wonderful addition to a collection of [Read More]
Fujifilm is one of the most interesting players in the camera market in early 2020. They always march to their own drum â skipping the popular full-frame sensors entirely, while pushing the boundaries of whatâs possible in APS-C and offering relatively affordable medium-format digital as their answer to the upper end of the full-frame world. [Read More]
When I began taking landscape photographs my primary interest was in capturing the scenery in front of the lens. After all, isnât that what itâs all about? After several years I realised that few of the photographs I took really excited me and so I began to explore what was missing in either my technique [Read More]
In this second follow-up to our piece on Sean Tamblyn’s Georgian Bay photography, we look at how Sean’s remote camera work (developed during his shuttle project) led him to undertake the quixotic task of documenting Georgian Bay’s lighthouses through the harsh winter months. Nick Taylor January 2020
         At the beginning of 2019, there was very serious concern about Appleâs continued commitment to photographersâ needs, and Intel was doing their best to frighten even PC-using photographers with generation after generation of essentially unchanged chips at increasing prices. There were increasing questions that Mooreâs Law had stalled, that the reason we werenât seeing different [Read More]
The X-Pro 3 is the most âFujifilmâ in philosophy of any camera I have ever used, and it is a camera that makes you want to go out and shoot with it. Itâs not perfect, nor will it probably serve as anyoneâs only camera â but it is a wonderful addition to a collection of
Fujifilm is one of the most interesting players in the camera market in early 2020. They always march to their own drum â skipping the popular full-frame sensors entirely, while pushing the boundaries of whatâs possible in APS-C and offering relatively affordable medium-format digital as their answer to the upper end of the full-frame world.
When I began taking landscape photographs my primary interest was in capturing the scenery in front of the lens. After all, isnât that what itâs all about? After several years I realised that few of the photographs I took really excited me and so I began to explore what was missing in either my technique
In this second follow-up to our piece on Sean Tamblyn’s Georgian Bay photography, we look at how Sean’s remote camera work (developed during his shuttle project) led him to undertake the quixotic task of documenting Georgian Bay’s lighthouses through the harsh winter months. Nick Taylor January 2020
         At the beginning of 2019, there was very serious concern about Appleâs continued commitment to photographersâ needs, and Intel was doing their best to frighten even PC-using photographers with generation after generation of essentially unchanged chips at increasing prices. There were increasing questions that Mooreâs Law had stalled, that the reason we werenât seeing different
